Book of the Week – small events by w.f. owen
In small events, w.f. owen blends narrative prose and haiku to explore childhood, war, illness, and loss through a series of reflective and restrained haibun.
Delve into the history of English-language haiku in the most direct way possible: by reading its poets. The Book-of-the-Week series presents a new, digitized version of a book of haiku, recent or classic, drawn from The Haiku Foundation Digital Library and other holdings. Host: our digital librarian, Vidya Premkumar.
In small events, w.f. owen blends narrative prose and haiku to explore childhood, war, illness, and loss through a series of reflective and restrained haibun.
Edited by Jim Kacian, The Red Moon Anthology 1996 gathers selected haiku, senryu, haibun, and linked forms, offering a snapshot of English-language haiku at a pivotal moment.
Toshiharu Oseko’s Basho’s Haiku: Literal Translations presents Bashō’s poems with Japanese text, literal English, and detailed notes, offering readers a clear view of the language, context, and aesthetics behind the work.
Edited by Jim Kacian and Bruce Ross, Stone Frog: American Haibun & Haiga, Volume 2 collects contemporary haibun and haiga that blend narrative prose, haiku, and image, highlighting the form’s range and evolving practice.
A bilingual collection by Ann Newell with translations by Kenichi Sato, Mount Gassan’s Slope combines haiku, senryu, and sumi-e, drawing on themes of nature, travel, and inner attention.
H. F. Noyes’s Favorite Haiku: Brief Essays 1975–1998, Volume 3 pairs selected haiku with brief critical commentary, offering a reflective look at how haiku communicates meaning and experience.
How to Haiku is Jim Kacian’s guide to understanding haiku as a poetic practice, exploring how moments of experience are shaped into literature.
A visual haiga sequence by John Martone, Commonplace Book pairs sky images and text to explore impermanence and attentive perception.
Amongst the Graffiti is Janice M. Bostok’s collection of haiku and senryu rooted in lived spaces, attentive to memory, care, and daily experience.
balcony by Dimitar Anakiev is a chapbook of one-line haiku that observe everyday life with precision and restraint, focusing on moments of movement, care, and shared human experience.
Below are links, by author, to each Book of the Week feature in 2025.
Lorin Ford’s The Wattle Seedpod opens the reader to an Australia seen through haiku eyes.
In MÉ IÓNA / I AM JONAH, Gabriel Rosenstock hands Jonah a haiku instead of a pulpit.
White Days (Beli Dani) is an anthology of Serbian haiku by seven poets.
Herb Barrett offers more than a collection of haiku and senryu—he gifts us a series of still frames from life’s reel.
The collection spans 2018 to 2021 and is divided into four parts—Seasons, Sequences, Senryu, and Pandemic.
n Endangered Metaphors, George Swede doesn’t just write poems—he drops pebbles into the still water of our minds.
Like autumn’s hush through bamboo groves, Scattered Leaves drifts gently, yet lingers with quiet force.
In her collection Neo-Epoch Haiku: The Dancing Venus, Taeko Uemura crafts a peculiar bridge—an arched passageway where ancient haiku meets the sprawling modern cosmos.
Reading Klaus-Dieter Wirth’s Voices of Stones feels a bit like stepping into a quiet room and realizing it’s not empty.